Friday, 13 September 2019




Episode 32

Triggers of Discord- Unfolding progression of Enmity between Kauravas and Pandavas

(Summarization of Adi Parva of Maha Bharat)[i]



Maha Bharata apparently looks like a feud between the cousins just for gaining the kingdom. The issue appears to be a dispute over landed property. But what were the sources of discord? Was there any ideological influence that was the source for dispute? From Adi Parva of Maha Bharata we can glean certain passages and observe certain events that fuelled the fire in the minds of Kauravas and Pandavas which ultimately resulted into a war of great devastation, where it is said, that all kings of all provinces in India participated in the epic war. Let us understand how the misunderstandings unfolded among the cousins.

The Story

Dhritarashtra, Pandu Maharaj and Vidura were three brothers born to Ambica, Ambilika and to the servant maid with the blessings of sage Vyasa. Since Dhritarashtra was blind by birth, his brother Pandu Maharaj was made the king of Kuru kingdom by Bhishma. Pandu Maharaj expanded the kingdom and defeated all the kings with his might. With the wealth that he acquired, he helped his elder brother perform hundreds of Yagas and Yagnas.

Under the benevolent patronage of Bhishma, the Gandhara (Present day Rawalpindi) princess was married to Dhritarashtra. Initially, the king of Gandhara, Subala hesitated to give his daughter for the marriage as the bridegroom, Dhritarashtra was blind. But after seeing the family lineage and prestige he consented to give his daughter. As a dutiful wife, Gandhari covered her eyes with a white cloth so that she could not point out his physical deficiency. Sakuni, the brother of Gandhari accompanied his sister to Hastinapura and presented new cloths to Bhishma and other elders. Gandhari never regretted for marrying a blind man and served the family with devotion.

Kunti was the daughter of Kunti Bhoja who arranged a Svayamvaram for his daughter. On seeing Pandu Maharaj, Kunti instantaneously fell in love with him and garlanded him in an open darbar of her father.

Bhishma also requested Salya, the Bahlika king of Madra desa (the present-day Sialkot in Pakistan) to give his sister, Madri for a marriage to Pandu Maharaj. Salya was happy but he was constrained to follow a family custom. ‘Kanya Sulkam’ – the practice of offering gifts to the bride’s family was in vogue with Bahlika kings. ‘I don’t know the practice is good or bad; but I cannot violate the family practice’, asserted the king. Bhishma was pleased to honour the age-old practices. He offered huge volumes of gold, golden ornaments, pearly, rubies and horde of camels and elephants to Salya and came back to Hastinapur with Madri. She was married to Pandu Maharaj.

Bhishma also approached a king by name Devaka Maharaj who was having a virgin Paarasava[ii] bride by name Sulabha (Veda Vyas has not mentioned this name in Adi Parva) and got her married with Vidura.

With the blessings of God of Dharma, Dharmaraja was born to Kunti. Gandhari was unhappy for she was bearing the womb for two years, but it was not got delivered. Out of frustration and jealousy she began beating her own stomach and delivered a big piece of meat (Mamsa khanda). Veda Vyasa heard it and reached the spot quickly. He ordered to choke the meat piece with cold water. Immediately the piece of meat broke into one hundred and one small pieces of the nature of wombs. All those were kept in individual ghee pots and they waited for another two years for incubation. The pots slowly started breaking and Duryodhana emerged first followed by ninety-nine brothers and one sister, Dussala.  Thus, Duryodhana was younger to Dharmaraja and equal of the age of Bhima since Kunti delivered Bhima on the same day with the blessings of God of wind, Vayu.

Kunti gave birth to Arjuna with the blessings of Lord Indra. Nakula and Sahadeva were born to Madri with the blessings of twin gods, Aswini Devatas.

Eventually, Pandu Maharaj died and Madri resorted to Sahagamana (see episode25: https://unclekatha.com/?p=224). All the associates of Pandu Maharaj and the elderly Brahmins brought Kunti and the Pandavas to the court of Hastinapur for the patronage by Dhritarashtra. All the elders including Bhishma, Vidura, Bahlika, Somadatta and Dhritarashtra payed homage to Pandu Maharaj and asked Kunti to stay in Hastinapur with her five sons.  

Vedavyasa reached out to his mother Satyavati and suggested, ‘Oh! Mother, all the future is full of bad days. You cannot stay here to see the destruction of Kuru Empire. The bad deeds of Kauravas eventually make people suffer on the planet’. Satyavati agreed with the words of Vyasa and was ready to move out of the court to forests. Her both daughters-in-law, Ambika and Ambalika also followed Satyavati. All the three ladies indulged in severe austerity and tapas and left their bodies to the higher abodes of heaven.

In the patronage of Dhritarashtra, both Pandavas and Kauravas grew. They used to play all sorts of outdoor games like running, jumping, climbing trees, swimming, swinging on the trees, plucking the mud from earth etc. By virtue of strength and valour Bhima used to outperform all the boys. Bhima could command and control all the hundred Kauravas in any competition; he used to hold the hair of one and made his face beat the face of other person. He used to press them beneath the water surface and used to release only after giving lot of choking suffocation. When all Kauravas climb the tree, he used to kick the tree with all force and make them fall to the ground.

Bhima used to make many things which were not liked by Kauravas. But all those were of childish nature and never intended with deceit (Adi Parva 127.24).

Duryodhana saw in Bhima a future enemy and started planning to eliminate him by force. One day he asked all the brothers to go for a swimming spree in the waters of Ganges and he arranged all food and drinks for all brothers. On that fateful day he mixed the deadliest poison in the food of Bhima and he himself served it to Bhima. With smiles on lips and anger in heart, Duryodhana felt that he had succeeded in his objective. After hectic swimming, Bhima got tired and slept at a place. The poison started invading all his cells and he was unconscious.

Duryodhana personally tied him with ropes and with the help of his brothers threw him into river Ganges from a great height with all jealousy and anger. It was the passage route to Patala loka (underground land) and Bhima, by virtue of his weight, went up to Patala loka. Many serpents had bitten him. Poison is the best cure for poison. The poison in the stomach decimated with the influx of poison of the serpents. Bhima came to senses, cut off the ropes and killed all serpents.

Luckily an old serpent by name Aryaka saw Bhima. He was the paternal uncle of Kunti’s father. He hugged Bhima and took him to the king of serpents, Vasuki. He asked Vasuki to bless him. Upon his advice Vasuki offered a celestial drink in a pot. Bhima drank everything in the pot and got the strength of thousand elephants. Then he reached his mother and Yudhishtira (Dharmaraja) and narrated the entire story.

All the boys were later entrusted to learn the art of warfare to Krupa and there afterwards to Drona. Drona was desirous of making Arjuna an unchallengeable leader in the field of archery; and Duryodhana was insecure as he was already seeing a formidable wrestler in Bhima and one more warrior in the area of archery was a nightmare to Duryodhana.

This was the background when the display of the skills of Pandavas and Kauravas was announced by Drona at the end of their studies. The war with maces between Duryodhana and Bhima was ferocious, and they fought as if two male elephants were fighting for gaining the hand of a female elephant (Adi Parva 133.33). The war was to be stopped by force. There was no one to match the skill of Arjuna in archery. The entry of Karna was a god given opportunity to Duryodhana to entice him to his side. He made him king of Anga desa (present day Bihar) and with his help he wanted to tame Arjuna in future wars. On the side of Pandavas, even Dharmaraja felt that there was none to match the skill of Karna in archery (Adi Parva 136.25).

After the death of Pandu Maharaj, there was a void in the kingdom and Dhritarashtra made Dharmaraja the crown prince on seeing his valour, patience, kind-heartedness and above all for his righteousness. Dharmaraja, by his virtues, endeared the hearts of people in no time. Under his command, Bhima and Arjuna won series of victories against other kings and earned name and fame.

The news of victories of Pandavas and their growing popularity was hard to listen for Dhritarashtra. He was quite agitated. He asked one of his trusted ministers, Kanika as to what he should do (Sandhi- peace; or Vigraha- war) with Pandavas.

Kanika started advising Dhritarashtra (KANIKA NITI)

“Oh! Maharaj. What I am going to explain is practical dharma which every king must follow. A king must use force and always exhibit his valour to make others fear. It is dharma to attack an enemy when he is in adversity. It is also dharma to kill an enemy even if he surrenders and beg for pardon. If the king does not kill his enemy, he will be in the grip of fear always. It is advisable to kill enemy, his friends and his associates mercilessly. If the king is week and enemy is strong, the king can bear him on his shoulders; but once he becomes strong, he should kill the enemy as if breaking a pot on a rock. The king has to employ appropriate strategy - sama, dana, bheda or danda and somehow eliminate his adversaries”.

‘But how to employ these strategies?’, Dhritarashtra asked inquisitively.

‘Oh Maharaj! The king should frighten the timid; should bribe the corrupt; and should make friendship with the strong enemy. A king who is interested in his own growth should not hesitate killing even his own son, friend, father or his guru’.
‘An enemy has to be killed by giving money (hiring goondas), by giving poison, or  should be threatened by bad language’.

‘Hi, Maharaj! While striking the enemy, the king should maintain his equanimity and balance. You should talk sweet before striking, after striking and even while striking the enemy. Once the enemy is fallen to the ground, the king should weep for his death and talk good about him later. By following peaceful path of righteousness, the great blunders of the king are forgotten by the people’.

Kanika continued, ‘If you want to kill anyone fast, put fire to his house. Do not allow the poor, the thieves and the non-believers to stay in your kingdom. You should talk pleasant always but keep the heart as strong as a rock. The king must attack when the enemy is indolent or while in difficulty.

‘O Maharaj! This is the practical path for a virtuous destiny. Apply it on one or to Pandavas’, telling like this, Kanika took leave from Dhritarashtra.

Dhritarashtra was inspired by the wordings of Kanika. On the same day a secret meeting was convened and all-important people like Duryodhana, Karna, and Dussasana assembled in the chamber of Dhritarastra. They decided to kill Pandavas by putting fire to their house.

But how could they destabilise and defame Pandavas? Dharmaraja had already acquired a good name in the hearts of people. Many citizens were the beneficiaries of the gifts given by Pandu Maharaj. Then, how to neutralize the elders? Duryodhana unfolded his plan.  

Duryodhana’s strategy

‘My dear father! Bhishma is always neural. Drona’s son Aswatthama likes and respects me and stays on my side. Drona will be there where his son will be. Wherever Drona and Aswathhama stay, Krupa stays there. Vidura’s material benefits are linked with our fortunes. Still he has a secret pact with Dharmaraja. But single handed he cannot do anything. I will spend wealth and purchase elite people of the country and thus neutralize them. You please send them to the city of Varanavatam on some pretext and we will manage the rest’.

Dhritarashtra agreed to the plot. The ministers of Duryodhana started eulogizing the beauty of Varanavatam wherever they went. ‘Such a beautiful city is no where on earth’, they praised. Pandavas started evincing interest in visiting Varanavatam. Duryodhana neutralized elder citizens and opinion makers with the power of his purse.
Sensing changing scenario, Dhritarashtra called Pandavas, talked graciously and counselled them to freely roam around in Varanavatam for a few days and come back to Hastinapura.

Pandavas left for Varanavatam where a lac building was ready for their accommodation. The building was constructed with lak, Karpura, hay and bamboo sticks which were inflammable at the flick of a small fire. Duryodhana ordered his confident lieutenant Purochana to put fire to the building while Pandavas were sleeping in the house. Pandavas had come to know about the evil plot hatched by Duryodhana through Vidura and they were alert. They put fire to the building when Purochana was sleeping inside and left for safer destination.

All Kauravas including Dhritarashtra wept bitterly on hearing news of the death of Pandavas. They paid homage to the departed souls and offered tilodaka tarpanam (giving out water over sesame seeds).

In the forests, Pandavas had a bitter time. They had to face two formidable demons, Hidimbasura and Bakasura (episode 26: https://unclekatha.com/?p=241; Episode 27: https://unclekatha.com/?p=246) and Bhima killed both asuras. Pandavas also encountered with Chitraratha and Arjuna defeated him (episode 3: https://unclekatha.com/?p=97) in an open battle.  

While Pandavas were spending their time in forest, all the citizens and Kauravas were thinking that Pandavas had died in the fire of lak house. But all the days were not the days of Kauravas. They saw their rivals, Pandavas in the court of Drupada when all people assembled for Draupadi Svayamvaram (episode 24 https://unclekatha.com/?p=213). They could not believe their own eyes. Now Pandavas had a powerful ally, Drupada. Kauravas were afraid of Drishtadyumna, Sikhandi and Drupada as well (Adi Parva 199-15). Duryodhana was getting agitated.  

Vidura approached Dhritarashtra and announced that Pandavas survived the peril of fire and they married Draupadi, the daughter of Drupada. The king pretended that he was happy. Later Duryodhana, Karna, Dussasana and Sakuni met Dhritarashtra in his private chamber and poured out their agony.

There was long discussion. Duryodhana suggested that Bhima should be killed secretly; beautiful women should be employed to lure individual Pandavas; Draupadi should be separated from Pandavas when she gets vexed with them; and Drupada should be won over by huge wealth.

Karna did not like the plan. He suggested, ‘It is difficult to plant discord note among Pandavas. Since ladies like to have more husbands, and she got five of them unexpectedly, it is difficult to separate her from her husbands. Drupada is a man of certain principles and values and so we cannot win over him with wealth. Before Pandavas consolidate their strength, we should attack them by force and capture them with Drupada. For kings, offence is the best form of defence’. Dhritarashtra liked the ideas of Karna and praised him profusely. But he wanted to take second opinion from Bhishma and Drona.

Bhishma told, ‘For me the sons of both Dhritarashtra and Pandu Maharaj are equal. I don’t want a fight with Pandavas. In my view, Kauravas should make peace with Pandavas and give them half of the empire. If Dhritarashtra was elder son in the dynasty, it is Pandu Maharaj who consolidated the empire. Dharmaraja was the crown prince before leaving for Varanavatam. You got your kingdom by dubious means and before they have title over the kingdom”. (202.7).  Both Vidura and Drona also agreed with the opinion of Bhishma.

Dhritarashtra had no option before him. He told, ‘You are all elders and sagacious people. For me Pandavas are also sons just as Kauravas’ (Adi Parva 205.2). Then upon the advice of Dhritarashtra, Vidura set out to reach Pandavas with lot of gifts, ornaments and cloths.

Pandavas reached Hastinapura escorted by Vidura amidst rousing reception of the citizens of Hastinapura. Dhritarashtra gave them half the kingdom with Indraprasta as capital and advised them to move to Khandava forest area. He anointed Dharmaraja as king of Indraprasta and sent them to that area.

A short analysis of the story

The story is a broad summary of the main events revolving around Pandavas and Kauravas. KANIKA niti or KUTA niti is the ideological foundation of all jealous and anger on the part of Kauravas. This is the cause for hatred towards Pandavas. This KANIKA niti or KUTA niti has been followed by people on the planet since immemorial and it is more rampant now. We see all hatred, jealousy, anger and other bad qualities in majority of the populace due to the advocacy and practice of KANIKA niti or KUTA niti.

In entire Maha Bharata we observe Kauravas hatching plot against the mighty Pandavas. Initially the hatred started when Bhima was trying to dominate all Kauravas in any race/ competition. Ved Vyasa specifically mentions that it was sheer act of childishness and never with the intention of harming Kauravas. The enemity towards Bhima resulted in Kauravas plotting to kill him by poisoning. When they failed, they resorted to scorching the house of Pangavas. They discussed the idea of invading Pandavas. All these incidents are the seeds of growing feud which ultimately resulted fighting for capturing the throne.

It was a difficult task to decide their claim to kingdom. Dhritarashtra was the eldest of all sons but he was blind. The second in line, Pandu Maharaj consolidated the empire and expanded the kingdom. So, the siblings of both Dhritarashtra and Pandu Maraj claimed their stake and the feud got fuelled up in full scale. Ultimately it led to a great war.

In this story we find certain sociological issues which merit mentioning. In this story we observe the old people like Satyavathi, Ambika and Ambalika moving to forests in their old age in stead of becoming a burden to their sons. In the later part of Maha Bharata, we see Dhritarashtra, Gandhari, and Kunti moving to forests in their fag end of their life. In Ramayana, we see Lord Rama merging into river Sarayu and reaching his abode Vaikuntam. In our present-day society also, we observe mendicants and Sadhus of Himalayan region merging their lives in river Ganges, particularly at Hrishikesh and Hardwar. What is this pattern of events? It needs study by sociologists since we hear the concept of old age homes in 3rd century BC during the regime of Mauryan king, Asoka.

In this story we see a practice presenting clothes before marriages. Surprisingly this tradition has been continued in Hindu society even by today.

Respecting the age-old practices is one of the traditional heritages in Hindu society. Bhishma also respected the traditions of Bahlika kings and broght Madri for Pandu Maharaj after paying hefty amount of Kanya-sulka.

In this story we see the discussions of strategies such as ‘Honey Trappings’, ‘Freebee Distributions’, ’Supari killings’ and such other Machiavellian strategies which are later developed and perfected by many rulers and kings at large. Kanika niti which forms the ideological base for hatching conspiracies in Maha Bharata resulted in the extinction of eighteen Akshouhini soldiers in the battlefield of Maha Bharata.

Things to unlearn

Majority of the people who discuss Maha Bharata normally believe that Dharmaraj, the eldest of the Pandavas was the son of Kunti blessed by Lord Yama. This is disputed by great scholar Sri Pullela Rama Chandrudu in his magnum opus, ‘MAHABHARATA SARA SANGRAHAMU’.  Invoking the passages of Ved Vyasa he has conclusively proved that no where in the entire text, Lord Yama was mentioned as the father of Dharmaraj. It is rather the God of Dharma (dharma devata) who blessed Kunti and Dharmaraja was born.
                                                                      This is the end of Adi Parva.

Points to ponder

  1. What is Kuta niti? How is it dangerous?
  2. What is the sociological pattern we observe in the lives of old age people in the ages of Maha Bharata and Ramayana?
Footnotes



[i] The story is written from the source book, Maha Bharat written by Sage Vyasa (Gorakhpur Press)

[ii] Paarasava is a person born to a Brahman man and a Sudra woman. Vidura was technically a Paarasava man.

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Friday, 6 September 2019


Episode 31
A Romantic Love Story of Samvarana with Tapati[i]
The episode of Samvarana and Tapati is an interesting love story and many writers have translated this story of Ved Vyasa into several Indian languages. The story has lot of symbolism. In order to gain the hand of a lady of high virtues, the mundane power/ authority/ handsomeness are just insufficient. One has to elevate oneself to attain the pinnacle of perfection in penance. The story also talks of the duties of the king (in modern parlance- the head of the state) and the eventual happenings when he abdicates his duties. The love story gives out a strong message that there are limits to ‘kāma’ and ‘kāma’ moderated by dharma alone is acceptable in society. Let us read the story.
The Story
Tapati was the daughter of god Surya, a celestial divinity that shines up the worlds with his brilliant rays.  With exceptional beauty and unmatched feminine features, Tapati was a queen among beautiful ladies and envy to any girl of any world. With broad eyes, sculpted body and scintillating character, she had sizzled in the Universe of her times.
But what a strange combination? Such an unmatched beauty was also an ardent tapasvi (one indulges in meditation and tapas) and the worlds eulogized and called her ‘Tapati’ (विश्रुता त्रिषु लोकेषु तपती तपसा युता[ii]). Searching a groom for her was a herculean task and Surya could not locate a groom befitting her beauty and Tapas. He became restless.
One day Surya saw a young king of Kuru dynasty, Samvarana who was again a devotee of god Surya. He was a man of exceptional intellect yet humble, a strong manly manoeuvre yet a dharmic (Righteous character), and a king of gigantic empire yet a person of pious dispensation. Just as Surya spreads sweetness and light in the skies, he was spreading his glory in the earthly universe. Surya thought that he was the best groom for his daughter.
Samvarana was fond of hunting and on one day he was in a hunting spree in a wild forest. Yonder in the forest beneath a gorgeous mountain, he located Tapati who just looked like a sliced Sun slipped out from the sky. His eyes could not just blink lest they might lose the glimpse of the divine beauty.
स हि तां तर्कयामास रूपतो नृपति: श्रियम्
पुनः संतर्कयामास रवे: भ्रष्टामिव प्रभाम्[iii] (meaning- just on seeing her beauty, he initially thought that she was the goddess Lakshmi. Then he started contemplating and concluded that she must be a sliced disk of the very shining god, Surya.
The very presence of the celestial beauty lightened the ambience of the forest and every tree, bush, twine and twig looked golden; and for Samvarana all ladies on earth looked inferior before the bright Tapati. In his life he never saw such an enchanting damsel on the earth. Samvarana was bitten by the arrows of Cupid (मन्मथ शराः) and there was no way out except approaching her without any shy.
The nonchalant Tapati could sense the cupid-stricken king coming nearer to him. The king came nearer to her and immediately expressed his eagerness to take her hand in marriage. As if echoing the silence of the forest, the lady looked at him with eyes wide shut and just disappeared into thin air without answering the king. Beautiful ladies do not reveal their minds so easily.
The king who conquered the universe suddenly appeared himself in gloomy loneliness bitten by the pangs of love. The king who could make battalions of soldiers fall to the ground with one strike, just fell on the ground bitten by the love bite of unknown angel[iv].
In fact, he was fallen to the ground when he had fallen in love with her. When he lifted his head, he could see the smiling beauty and the very smiles looked smothering his tender heart.
Seeing the pathetic plight of the king, she pitied at him and again appeared to console him. But the king was already mad, and his very brain was boiling in cranium. He just prostrated before her and begged her mercy towards him.
प्रीति संयोग युक्ताभिः अद्भि: प्रह्लादयस्व मे
पुष्पायुधं दुराधर्षं प्रचण्डशरकार्मुकम् [v]
(meaning – the fire has arisen out of the arrows of cupid and you please make it cool with affectionate words and hugs). Then the king suggested that it was right to marry under Gandharva method.
The lady again smiled and told, ‘Oh king! I am a virgin daughter of the Sun and I am not independent. Which lady will refuse marrying a king born in a great race like you? Still you can please my father with salutations, penance and fine etiquette for my sake. I shall be yours the day he decides to place me in your hands’, saying like this she just disappeared and mixed with the very rays of the Sun.
By this time, the minister of Samvarana reached the place and found the king fallen on the ground. With his help, the king rose up and started tapas praying for the blessing of his Purohit, sage Vasishta. On the twelfth day, sage Vasishta appeared before the king. With his divine vision he could see the pitiable plight of the king. He did not want to waste time anymore. He just flew into thin air to reach the world of the Sun. He prayed profusely and the Sun was delighted. He was also pleased to present his precious daughter. Vasishta was very happy and he reached the earth along with the bride.
रुरुचे साधिकं सुभ्रू: आपतन्ती नभ स्तलात्
सौदामिनीव विभ्रष्टा द्योतयन्ती दिश स्त्विषा[vi] (meaning – descending from the divine world, she looked as though a lightening slipping to the ground- thus making the entire area bright). The king married Tapati with the blessings of sage Vasishta and the celestial Sun god.
Samvarana was so fascinated with the beauty of his newly wedded wife that he just roamed with Tapati in forests, riverbeds, mountain plateaus, seacoasts, bushes, and gardens for twelve long years like an Asura (demon). He ordered his minister to rule the kingdom on his behalf in his absence.
It was a surprise- there were no rains and famine gripped the entire kingdom. The people suffered a lot and started indulging in all crimes to sustain life. The capital city looked like the very hell upon the earth. Sensing the danger to the kingdom, sage Vasishta sent word for Samvarana and got the pair back to the city. Once Samvarana reached his palace, the god Indra poured out rain profusely and the joy of people knew no bounds.
Analysis of the story
It is a romantic love story and the language used to describe Tapati was exceptionally romantic. One can feel the romantic touch with the array of idioms and literary litany employed by sage Vyasa. No wonder a powerful king became slender and literally fell to the ground with cupid-stricken arrows.
But in this story, there are certain subtle things by ignoring which we just come to a conclusion that it is one more romantic piece penned by sage Vyasa. While describing Tapati, it is mentioned that she was an ardent Tapasvi and by virtue of her Tapas she was known to the world with name Tapati. Her beauty, in effect, lies not only in physical features but in meditation, and in austerity. A lady of that stature cannot be conquered by lust but by elevating oneself to the pinnacle of perfection in penance. Tapati advised the pathetic king to do the same to win over her heart. He did tapas and sage Vasishta took care of disciple. Who else can think of reaching the abode of the Sun other than Vasishta?
If we observe the background of this story, we come across this episode when Chitraratha was narrating the lineage of Arjuna after his own defeat in the hands of the latter. Arjuna asked Chitraratha as to why he attacked Pandavas even after knowing their intrinsic strength. Chitraratha tells that he attacked them since they were moving in forest without Purohit in the front. Veda Vyasa hints that the muscle power (representing Samvarana) alone always do not help in winning the world but it should be moderated and facilitated by intellectual power (representing Vasishta with Brahma Jnana).
In Maha Bharata times people were divided based on muscle power, mental power, thigh power and leg power and all are supportive of one another. Muscle power moderated by mental power is the necessity to sustain the world on a righteous path.
We have already discussed the real meaning of Purohit (should not be equated with a Brahmin in a village) and the real meaning of Brahmin and their importance in our episode 8 (Adherance to Bramhachaya and importance of Purohit –Engaging conversation of Arjuna with Angaraparna).
At the end of the love story, we observe a twist. Ved Vyasa writes that Samvarana roamed with Tapati like a demon (asura) for twelve long years. It means he has forgotten his basic duty of protecting the people. In the absence of king, the first causality is ‘dharma’. Gods are pleased when dharma is established in the planet. When Samvarana spent his time like a demon, there was no dharma and god Indra deprived the country with drinking water. The devasted nation was restored back to normalcy only upon the resumption of duties by the king.
In some other place of Maha Bharata, we come across a sloka stating that a king should be beaten up like a mad dog if he abdicates his duty of protecting the people. The sloka says:
अहं वै रक्षितेत्युक्त्वा यो न रक्षति भूमिपः
स संहत्या निहन्तव्य स्वेव सोन्माद आतुरहः (Anu Sasanika Parva 61.33)
Veda Vyasa consistently reminds the duties of the king throughout Maha Bharata. When Samvarana roamed with his lover for twelve long years, it is but natural that the gods are angry at him.
The love story has a happy ending with a strong message that there are limits to ‘kāma’ and ‘kāma’ moderated by dharma alone is acceptable in society. Incidentally the story narrates the lineage of Pandavas. Pandavas were also called Tapatyas (tāpatyā) since they belong to the progeny of Tapati.
Points to ponder
  1. What are the duties of king as enshrined by ancient Hindu society?
  2. What are the qualities one should possess to marry a virtuous lady?
  3. Who establishes dharma on the planet? What is the importance given to dharma in Hindu society? 
Footnotes


[i] This story is taken from Adi Parva written by sage Vyasa.

[ii] viśrutā triṣu lokeṣu tapatī tapasā yutā  - Adi Parva 170.7

[iii] sa hi tāṃ tarkayāmāsa rūpato nṛpati: śriyam
punaḥ saṃtarkayāmāsa rave: bhraṣṭāmiva prabhām - Adi Parva 170.25

[iv] Adi Parva 171.1

[v] prīti saṃyoga yuktābhiḥ adbhi: prahlādayasva me
puṣpāyudhaṃ durādharṣaṃ pracaṇḍaśarakārmukam - Adi Parva 171. 17

[vi] ruruce sādhikaṃ subhrū: āpatantī nabha stalāt
saudāminīva vibhraṣṭā dyotayantī diśa stviṣā - Adi Parva 172.30

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Thursday, 29 August 2019


Episode 30
Mandapala’s Love with Jarita and Lapita
– the survival four Saranga birds[i]

Last week we saw how Khandava forest was scorched to ashes in a great fire. In the episode we also studied that four Saranga birds (some type of birds) survived the destruction. The current story is the story of the survival of four birds from the holocaust. The story has lot of symbolic significance and sage Vyasa used the text as a pretext to explain the ‘the theory of Creation’ as per our sruti literature. The story also talks as to how the eternal principles enshrined in Vedas are indestructible. Let us read the story.

The Story

There lived a Maharshi by name Mandapala in a forest. He led a life of celibacy and austerity. He was not allowed into higher worlds since he was not having progeny (पुं नाम्नो नरकात् पुत्रः त्रायते पितरं श्रुतिः[ii]). Mandapala came back from heavens to the forest. Birds breed fast and hence Mandapala, upon assuming the form of a bird, mates with a Saranga bird, Jarita and got blessed with four children. When they are still in egg stage, Mandapala developed acquaintance with Lapita, one more beautiful bird and started roaming with it.

With brimming motherly affection, Jarita could not leave her children and started rearing up the cute little pets in Khandava forest. She was unhappy for her husband left her in the lurch and was roaming with a rival bird.

One day Mandapala saw the fire god approaching the forest with the support of Nara and Narayana. Alas! His small kids were unable to fly. How could he help her children? He prayed to fire god profusely and sought a boon for the safety of his four children when the forest was put to fire. The god Agni was pleased with the prayers and promised to protect the pets from being scorched to ashes.

Jarita and her children were unaware of the promise of Agni to Mandapala. They got frightened on seeing the fire approaching so fast and so fearful. She recollected Mandapala telling about the four children – the elder child is responsible for preserving family lineage, the second one for pleasing the pitr devas (fore-fathers), the third one is responsible for doing penance and the fourth child is the torch bearer of brahmajnana. Whom should she protect? All were important in their own way? She advised her children to hide in the rat hole nearby.

The children did not agree with the suggestion of their mother. ‘You please protect yourself. By remaining here, you are inviting danger to your life. Anyway, we are destined to die in the scorching fire. You can fly with wings. We can’t go into rat hole. It is a sin to die by the bite of rats. It is glory if we die in fire. We are more worried as to how we can save our father in the higher world’, they told. What could Jarita do? It saw an eagle eating away the rats in the hole. ‘I saw an eagle eating the rats. Please go inside and save your skin’, it suggested.

Hi! Mother, ‘do not worry about our safety. If you live you can have children. Please leave this place by dropping down your love and affection towards us’, Unable to convince her children, Jarita flew to a safer destination.

In a matter of few minutes, the birds could see the fast approaching fire. All birds did not lose their heart. In fact, they were little Rishis born to Mandapalaka, a Maharshi. They started praying and praising the fire god Agni. They prayed and sought the protection. Agni recollected his promise to Mandapala and was also pleased by the prayers of little Risheis. He blessed them and did not gulp them in his gushes of fire. Instead, he asked what he could do to them. The birds requested, ‘here we have a few cats who always disturb us. You please devour all those cats’. Agni did the same and the birds untouched.

There Mandapala’s thoughts were occupied with the worry of his children safety. ‘What if the fire god forgotten the promise? What if the wind god pushed him towards the children?’ He started weeping with thoughts revolving around his children and wife. Lapita got angry. ‘The fire god promised protecting your children. He will not disown his pledge. Still you are worrying here. You love my rival Jarita and her children. You go to your lover and leave me to my fate. I also wander regretting for following a worst person’.

‘What you think is not wise. I am thinking about the safety of my progeny. No foolish person on earth will the leave the existing children anticipating the yet to be born future children’, saying thus Mandapala left towards Khandava forest. By this time the fires had subsided and Jaritha was back to her children. Mandapala reached the spot and found his wife caressing her cute children. Nobody spoke to Mandapala. Mandapala’s face paled before the enigmatic silence pervading the place. Ultimately Jarita broke out, ‘You did not anyone of us when we were in distress. Go to your lover Lapita’.

‘What a jealousy! No lady is spoiled in higher worlds with any sin other than the sin of jealousy and relation with other men. Even Arundhati, the legendary chaste wife of Vasishta felt jealous of her husband’s co-wife and lost her aura and glory’, Mandapala lamented. Then he recollected how he had prayed to Agni for the safety of children. He told his children, ‘My dear kids! I did not come to rescue you since you are all little Rishis and already know the Brahma- tatva. I also know the righteous nature of your mother. Dharma protects who protect dharma’.

The sons were pleased by the words of Mandapala and approached him with all love and affection. Later on, Mandapala left the place to an unknown destination.

A short analysis of the story

Maha Bharata and Ramayana are written down by sage Vyasa and Valmiki to convey the teachings of Vedas. The text is only a pretext to convey noble thoughts. The story of Mandapala, on the face of it, is a simple story. But it describes the origin of the universe, the indestructibility of Vedas etc in an indirect form.

The highlight of the story is the prayers to the fire god by the four small birds. These prayers are described in many verses by Ved Vyasa. When Agni started approaching the eldest kid says,
आत्मासि वायोर्ज्वलन शरीर मसि वीरुधाम् I
योनिरापश्च ते शुक्रं योनिस्त्वमसि चांभस: I I [iii]
 (Means- O! Agni, you are very soul of Lord Vayu, you are the body to the twigs, your very sperm is the fountain for water, and you are the cause for the origin of earth’). The prayer sloka eulogizes the fire as the cause for wind and earth. Look at the verse of Taitiriya Upanishad describing the origin of life on earth-

तस्माद्वा एतस्मादात्मन आकाशः संभूतः। आकाशाद्वायुः। वायोरग्निः। अग्नेरापः। अद्भ्यः पृथिवी। पृथिव्या ओषधयः। ओषधीभ्योऽन्नम्। अन्नात्पुरुषः।[iv] (Taitiriya Upanishad 1.1). The prayers of the little rishis (sons of Mandapala) echo the vedantic perspective of the origin of the universe-  that Vayu emerged out of Akasa, Agni out of Vayu, from Agni emerged water, from water the earth emerged, from the earth all medicinal plants and flora, from them the food and from the food emerged the human being’. All other verses relating to prayers to Agni are pregnant with vedantic thought. It is but natural that the fire god was pleased. Ved Vyasa introduced the concept of the theory of Creation to the common readers through a story. The story is thus a pretext.

Other way of understanding the story may be that Khandava dahana represents Pralaya (dissolution of the Universe) and the four little rishi birds represent four Vedas which remain as eternal truths. The dissolution of the Universe is the beginning of one more Creation but Vedas, representing eternal Truths remain indestructible entities.
Veda Vyasa hints at the Brahma Jnana possessed by the rishi birds when they suggested their mother that –
न चोपकृतमस्माभि: न चास्मान् वेत्तये वयम् ।
पीड्यमाना बिभर्ष्यस्मिन् कासती के वयं तव ।।[v]
- It means- we have not done any good to you. You do not who we were before our birth. Why should you trouble yourself to protect us? How we relate to you and how you are related to us? These words represent the futility of developing attachments and fall under the domain of Vedanta.

In this story we come across how an intelligent person can weave out an opportunity out of adversity. When Agni is pleased, the little bird prayed to destroy the cats and thus freed from further worries. Is it not a great management strategy?
The story is also interesting in the sense that a few scholars have modified the content of this story and molded it as a romantic love story of Mandapala with Jarita and Lapita.

Points to ponder
  1. What is the theory of Creation as per Hindu philosophy?
  2. What are the management lessons from this story?

Footnotes


[i] This story is taken from Adi Parva of Maha Bharata written by sage Vyasa.

[ii] puṃ nāmno narakāt putraḥ trāyate pitaraṃ śrutiḥ - Adi Parva 228.14.

[iii] ātmāsi vāyorjvalana śarīra masi vīrudhām I
yonirāpaśca te śukraṃ yonistvamasi cāṃbhasa: - Adi Parva 231.7

[iv] tasmādvā etasmādātmana ākāśaḥ saṃbhūtaḥ। ākāśādvāyuḥ। vāyoragniḥ। agnerāpaḥ। adbhyaḥ pṛthivī। pṛthivyā oṣadhayaḥ। oṣadhībhyo'nnam। annātpuruṣaḥ। (Taitiriya Upanishad)

[v] na copakṛtamasmābhi: na cāsmān vettaye vayam ।
pīḍyamānā bibharṣyasmin kāsatī ke vayaṃ tava - Adi Parva 230.13

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