Friday 28 June 2019


Episode 21


Birth of Dhrutarashtra, Pandu Maharaj and Vidura[i]


(This is a simple story of the birth of Dhrutarashtra, Pandu Maharaj and Vidura. But it talks of many issues- like,the importance of samskara of Garbhadana (impregnating a lady) as specified in Ayurvedic texts, the effects of thoughts of would-be mother on the personality of the child and sociological insights of Devara Nyaya prevailing in ancient society to preserve the family lineage and the discussion of kshetra or bija as important factors for deciding the caste society etc. We also find traces of the predominance of mother-in-law in the joint families in this story. Please read, reflect and share the story to like minded inquisitive persons).


The story

Santana was the king of Hastinapura. He was ordained by destiny to marry the celestial Ganga (river Ganges).  Their eighth son was Bhishma, the legendary character in Maha Bharata. Santana married Satyavati, the adopted daughter of Dasa raja (king of fisher men tribe) after the first wife Ganga left him. With Satyavati, he had two children- Chitrangada and Vichitraveerya. Satyavathi was an exceptionally beautiful lady and, while being virgin, she was blessed by sage Parasara with a son Veda Vyasa. Satyavati was thus the mother for three persons- Veda Vyasa, Chitrangada and Vichitraveerya; and step mother for Bhishma.
Bhishma took to celibacy by oath and renounced marriage and the kingdom. He enthroned his brother Chitrangada and unfortunately Chitrangada did not live long and in a duel with a Gandharva he died. Bhishma enthroned his minor brother, Vichitraveerya and was ruling the country as a protector of the State. When he attained majority, Bhishma brought Ambika and Ambalika, the daughters of the king of Varanasi and married them to Vichitraveerya.

Vichitraveerya enjoyed with his beautiful wives for seven long years and before they could conceive, he died of tuberculosis disease (Kshaya roga).  Now the question before the State was who should become the king of Hastinapura. There was none in the royal lineage ready to take the reins of the State. Bhishma was the son of king Santana but he had renounced kingdom by oath.

Satyavati had two issues before her. She could not afford to leave the State and its people without a king. Secondly she could not afford to leave the family without a descendant. She called his step son, Bhishma and requested him to become the king. She also asked, ‘See, Ambika and Ambalika are beautiful young queens and they desire to have children. Take it as my command and bless them with children. I say that this is as per dharma’(Adi Parva 103- 8,9,10).

Bhishma told, ‘Mother what you have now told is as per dharma and I agree the principle per se. But I have taken an oath renouncing sexual pleasure and also the kingdom. I follow and stand by my words which are truth. I value Truth and never deviate from the path of Truth’. When a principle of dharma has an apparent conflict with another principle of dharma, it is difficult for ordinary brains to unearth the core values of dharma. Interpreting a dharma principle is a difficult task.

Bhishma suggested that a meritorious Brahmin may be deputed to have progeny with Ambika and Ambalaka even by paying money to him (here a Bramhin has to be understood as person with Atma jnana and not one born in the caste). Bsishma was not aware of the birth of Ved Vyasa to Satyavati prior to her marriage. Satyavati was shy to tell the fact to Bhishma. She summoned courage out of blushes and slowly narrated her story of giving birth to Ved Vyasa. She suggested that he can be directed to have children with Ambika and Ambalika. Bhishma was quite happy and he agreed to her suggestion.

Satyavati called for Vyasa and he immediately appeared before her. Satyavati requested her son Vyasa to bless children to the wives of his stepbrother(Vichitraveerya) invoking niyoga[ii] dharma. She emphasized that it was in the interest of the State and in the interest of the family. Sage Vyasa agreed as it was according to dharma[iii] but suggested that for Garbhadana, the ladies had to undergo rituals for a year. Any lady without undergoing the rigors of rituals cannot reach him[iv].

But Satyavati was in a hurry as she could not afford to leave the State without a king and in the absence of king, all the dharmic acts perish. Then what is the way out? Ved Vyasa suggested, ‘If you want me to impregnate the ladies right now, they have to bear my odour, personality, and the body’[v]. (We know that Vyasa was terribly black and with all his long beard and plaited hair and moustache, he must not be appealing to sensual pleasure of any lady). Satyavati agreed and one day she counselled her daughter-in-law Ambika to have children in a dharmic way to preserve the lineage but did not tell about Veda Vyasa and his words.

On one fine day, Satyavati took her daughter-in-law (in her mid-menstrual cycle) to her bedroom and told her, ‘today your husband’s brother will be arriving to meet you by midnight. I have asked him to do garbhadana (blessing for conception). Wait for him and think of him’ (Adi Parva 105.2). Ambalika was clueless as to who was coming. She was thinking about Bhishma and other great men of Kuru clan. But in the night, she saw a black coloured person with dazzling eyes, long greybeard and plaited hair with long and untidy moustaches approaching her place. She was aghast and out of fear closed her eyes. Vyasa had come there to fulfil the order of his mother (मातुः प्रिय चिकीर्षया). He slept with her and blessed her with a son. Satyavati asked curiously whether a successor to the throne would be born to Ambalika. Vyasa told that a mighty son would born but without eyesight due to the mistake of mother at the time of mating (she closed her eyes).

How can a blind person rule the country? Satyavati, this time, convinced her second daughter-in-law Ambalika and deputed Ved Vyasa to her place. On seeing Vyasa, Ambalika became pale and grief-stricken. Vyasa impregnated the lady but told that the son would be pale (Pandu varna) though a handsome and brave person.

Satyavati was not satisfied with the turn of events. She again deputed Vyasa to have one more child with Ambika. This time Ambika did not follow the advice of her mother-in-law. She decorated her servant with all royal jewellery and deputed her to be on the bedroom on the appointed day. On seeing the sage, the lady went up to him, brought him to the bed and served him with care. Veda Vyasa satisfied with the pleasantries of the lady and blessed her with a child who would be an embodiment of dharma and she would no more remain to be a servant.

In due course of time Ambika gave birth to Dhrutarashtra who was blind; Ambalika gave birth to Pandu Maharaj who was pale, and the maid gave birth to Vidura, who was none other than Lord Yama (see the story of Mandavya- episode 4). Dhrutarashtra and Pandu Maharaj became Kshatriyas and Vidura became a Sudra.

Analysis of the story

The story is simple and apparently conveys nothing to a casual reader. When we look deep into the story, we can see the importance of samskara of Garbhadana (impregnating a lady) as specified in Ayurvedic texts, the effects of thoughts of would-be mother on the personality of the child and sociological insights of Devara Nyaya[vi] prevailing in ancient society to preserve the family lineage and the discussion of kshetra or bija as important factors for deciding the caste society etc.

Even by today the dominant view of our culture is to have a progenitor to perpetuate the family lineage. When the child is the heir apparent to the throne, the issue gains much more urgency. This forced Satyavati to request Bhishma and when he refused, approach sage Vyasa. Why these two people were alone her choice? It was an accepted principle (devara nyaya) in those days to have children with a brother of a husband when the husband was dead or impotent or cannot impregnate for any reason. Bhishma did not agree because he was more interested to adhere to Truth and never wanted to deviate the path of Truth. For him the principle of Satyavrata (adhering to Truth and one’s own words was more important than Niyoga dharma. Sage Vyasa agreed because it was in tune with dharma and he was going to sustain dharma in the world by producing an heir apparent to the throne.

For Ved Vyasa the ends will not justify the means. For attaining the broader objective of preserving the State he did not want to deviate the dharmic principles imbedded in Garbhadaana. The mating with a lady was not to attain sensual pleasure but for having a progeny in the interest of the State and the royal family. He sought one year of rigorous preparation. Ayurvedic texts prescribe elaborate procedure of Garbhadana. The procedure in a nutshell is as follows:

The Samskara believes that specific acts are to be done to achieve successful and healthy pregnancy. Only couples who possess pure or healthy Shukra (sperms), Artava (ovum) and Garbhashaya (uterus) will have healthy conception. After menstruation, the couple is being purified by Panchakarma i.e. Snehana, Swedana, Vamana, Virechana, Asthapana and Anuvasana Basti. After that the man should use Ghrita (ghee) and milk medicated with the drugs of Madhura Varga and woman should consume oil and Masha (black gram). And till ovulation period they should maintain celibacy. It is observed in some Ayurvedic research works that after Panchakarma procedure chances of ovulation is more.

Key differentiating qualities using principles of Garbhadhana Samskara are:

  • Purification of mind, body and soul of couple.
  • Invitation of divine soul to take birth though the womb.
  • Finding right time of conception from astrological aspect, choosing right Nakshatra, lunar days, planetary position etc.
  • In case of history of hereditary diseases in family, Garbhadhana Samskara process mitigates the risk of disease to a greater extent if started during planning phase with full devotion.
  • Yagya therapy for pre-conception planning.
  • Mantra therapy involves chanting of beejamantra in a specific rhythm pre – conception and post conception.[vii]
While, this being the ordeal, Satyavati hastened Vyasa to have children and never informed the condition put forth by Vyasa and in a way never made her daughters enlightened and ready to accept Garbhadana. In Sanskrit, there is a saying- Yadbhavam tad bhavati - thoghts decide the destiny. What we think, we shall become. The meeting of Vyasa with the queens is more for the cause of dharma than for sensual pleasure. It is like a bitter pill to cure a disease. When they could not bear the personality of Vyasa, either they closed their eyes or lied down aghast with fear. When the thoughts are vicious, they got blind and pale princes. Modern researchers also believe that ‘while genetics play a huge role in how new babies respond to stimulation, react to unexpected circumstances and deal with emotions, researchers in the growing field of prenatal psychology have found that environmental factors and some of the things parents do — such as talking, singing or eating a diverse diet — also may have an impact on how their babies come out of the womb’[viii]. Garbhadana, thus is a platform for physical and psychological preparation of couple for healthy conception.

Another important aspect of this story is much debated subject on deciding the caste of a person- kshetra pradhana (the lady who offers herself) or bija pradhana(the man who implants). It means what decides the caste of a person- is it that of the lady who bears the pregnancy or is it that of man who is responsible for pregnancy. Of the three sons in the story, Dhrutarashtra and Pandu Maharaj were Ksatriyas and Vidura was a Sudra. How is it possible? From this story the Ambica’s and Ambalika’s caste decided the caste of their children.  In the case of servant maid, her caste decided the caste of her son. In some other episodes of Maha Bharata, the caste of the male decides the caste of the child- for example the birth of Veda Vyasa. It is sage Parasara’s urge to have a child with Satyavati resulted in the birth of Vyasa. Vyasa became a Bramhin. Here the father’s caste came to his son.

How can this dichotomy be solved? These sociological enquiries of the origin of caste from our ancient past were answered long back by eminent scholars and commentators. Varanasi Subrahmanya Sastri, in his Magnum Opus –‘Maha Bharata Tatva Kathanam’, has done an excellent research and dispelled many doubts and apparent ambiguities of Maha Bharata. According to him, the triggering person for progeny – man or woman decides the ultimate caste of the child. In case of Vyasa, it was the urge of Parasara. In case of Dhrutarashtra and Pandu Maharaj, the urge came from the queens who were Kshatriyas. In the case of Bhima and Hidimbi, their son Ghatotkacha became a demon (rakshasa) since the urge came forth from his mother. Serious readers may read the book of Varanasi Subrahmanya Sastri for further analysis before raising enquiries of any kind.

The story traces the origin of the domination of chief lady (mother-in-law) in the joint family systems. When Satyavati led her daughter-in-law to bedroom, the later was clueless as to who was going to enter her room. Ambika was thinking of Bhishma but Ved Vyasa entered. Though this story alone cannot be used to justify this sociological perception, a much deeper enquiry may be required to understand the origins of dichotomy within joint family systems where the daughters-in-law were subject to certain subjugations.

Maha Bharata is a text which has everything happening in this world. What is not here is not there in any other place.

Points to ponder

1.    Do you feel that ancient Indian society was relatively more liberal in the matters of marriage system?
2.   Do you feel the process of evolution of caste system out of the Varna system in the age of Maha Bharata?
3.   When there is a conflict between two aspects of dharma, what is expected to be done by a person?
4.   What is the deciding factor to determine the caste of a person born of inter caste couples? Is kshetra (lady) or bija (male) is the reckoning factor? What are the probable sociological reasons for the proliferation of castes in Indian society?
5.   Is mother-in-law more important in joint families? Establish from the current story.
6.   What is the subtle difference between ‘devara nyaya’ and niyoga?

Footnotes


[i] This story is taken from Adi Parva of Maha Bharata written by sage Vyasa.

[ii] Niyog- It is the system of begetting children by the widow from a male person. Here the children born to the widow become the heirs of widow and not the heirs of the father. Niyog should not be confused with adultery since Niyog is transparent and known to society and never done in hush hush manner.

[iii] ईप्सितं ते करिष्यामि दृष्टं ह्येतत् सनातनम्।
भ्रातुः पुत्रान् प्रदास्यामि मित्रा वरुणयोः समान् ।।- Adi Parva 104-41.

(īpsita te kariyāmi dṛṣṭa hyetat sanātanam
bhrātu putrān pradāsyāmi mitrā varuayo samān ।। )

[iv] व्रतं चरेतां ते देव्यौ निर्दिष्टमिह यन्मया ।
संवत्सरं यथा न्यायं ततः शुद्धे भविष्यतः ।।- Adi Parva 104-42.

(vrataṃ caretāṃ te devyau nirdiṣṭamiha yanmayā
saṃvatsaraṃ yathā nyāyaṃ tataḥ śuddhe bhaviṣyataḥ ।।)

[v] यदि मे सहते गंधं रूपं वेषं तथा वपु:
अद्यैव गर्भं कौसल्या विशिष्टं प्रतिपद्यताम्- Adi Parva 104-47

(yadi me sahate gadha rūpa vea tathā vapu:
adyaiva garbha kausalyā viśiṣṭa pratipadyatām)

[vi] Devaranyāya –( देवरन्याय) the method by which a widow is allowed to have children from the brothers of her deceased husband. It is purely to sustain the family tree and never for satisfying sexual pleasure. Since it is allowed and accepted by the civilized society, it is in tune with dharma.

[vii] Utility of गर्भादान (Garbhadana Samskara) with Ayurvedic point of view - A review Study by Hetal P Baraiya, Shilpa B Donga, and by Kashyap Chauhan, ‘International Ayurvedic Medical Journal’ ISSN:2320 5091-


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Friday 21 June 2019


Episode 20

Karna’s controversial coronation- Invitation to future war[i]

Dear Readers! Those who have seen this story from the films – please read this original version of sage Vyasa’s Maha Bharata. We can see how the popular version of Kshatriya vis-à-vis low caste debate that is being portrayed by media can be easily dispelled. The sociological perspectives of this story have lot of management insights. Read and reflect.

The Story

The young Kauravas (the hundred sons of Dhritarashtra) and the Panndavas (the five sons of Pandu Maharaj) were assigned to learn the art of warfare from Drona by their grandfather Bhishma. Drona was an efficient trainer who imparted training to all disciples in archery, mace fighting, sword fighting and the art of using sastras and astras[ii]. He also trained warriors of various kingdoms like Vrishtis and Andhakas. Karna, the adopted son of Radha (belongs to Sūta caste[iii]) also approached Drona for education. Of all the disciples, Drona personally liked Arjuna and believed that he was the best archer of the world and none can beat him in bravery and dexterity in archery. 

Once the education was over, Drona wanted that all the princes would display their skills in the presence of all elders and people of Hastinapura. He requested the king, Dhrutarashtra to arrange a place for the princes to display their talents. Dhrutarashtra was very happy, and since he was deaf, asked his brother Vidura to arrange a suitable place. Vidura selected a vastu compatible place with even space and bereft of bushes and thorns. He got erected a makeshift building for the comfortable sitting of the kings and queens.

On the appointed day Drona escorted all the royal entourage- including the queens, ministers and elders like Dhrutarashtra, Bhishma, Krupa, Bahlika etc. The city was well decked and all the castes of people assembled to witness the great feats of princes. All princes arrived and displayed their talents of their choice. Bhima and Duryodhana walked down to the podium and fought ferociously. It was show of strength and almost became a bitter battle with the audience taking sides of either of the warriors. Sensing distress, Drona ordered Aswatthama to stop the war forthwith. Then the turn of Arjuna came and he came forward to show his feats in archery. He created fire with Agneya astra and extinguished with Varuna astra. He created a cling of clouds and scattered them with Vayu astra. He aimed arrows with dexterity and drew the applause of the audience. Unlike Bhima- Duryodhana rivalry, there were none to challenge the supremacy of Arjuna.

Duryodhana was discomforted as there was no warrior in his camp to waylay the warrior in Arjuna. Karna was not an invitee since the exhibition of talents was restricted to princes for the witness by their parents, ministers and people. So, he entered the podium after taking permission by the gate keepers[iv]. A mighty warrior himself, he entered with majesty and traversed to the stadium, bowed to Drona and Krupa with scant respect[v]. Then with a resonant voice shouted aloud addressing Arjuna, ‘Hi, Arjuna! In all feats of archery, I can perform better than you and I will surpass you in certain aspects. Don’t be haughty’. There were applauses from the audience as he was blessed with born arrow shield and his face was as bright as the sun (Karna was the son of Surya- the sun god with Kunti and was brought up by a Sūta caste person which fact was not known to anybody in the audience).  

Karna immediately took permission of Drona and demonstrated all feats that were earlier done by Arjuna much to delight of Duryodhana. Duryodhana came forward and hugged him and all his hundred brothers surrounded him heaping accolades. The battle lines for Kurukshetra war were already drawn with people taking sides. Karna sought a wrestling with Arjuna then and there itself. He challenged that he would cut off the head of Arjuna in the presence of Drona himself. The atmosphere was charged with emotions with Duryodhana instigating Karna and all people were dividing among themselves betting Arjuna or Karna.

Kunti was witnessing the entire scene. She knew that both were her sons and she did not find any strategy to arrest the emotionally surcharged atmosphere. She fell unconscious only to be woken up by Vidura later on.
At this stage, Krupa came forward and told aloud, ‘Hi, Karna! Here is Arjuna, the son of Pandu Maharaj, a Kshatriya belonging to Kuru clan. He will certainly fight with you. Now you tell me your lineage- to which clan you adore with and who your parents are. A prince will fight with prince and not with anyone lesser than the prince or lesser than his caste or lesser than the customary etiquette[vi]’. Karna blushed and his face went pale and bent his head without any word in his mouth.

There was something good about to happen for Duryodhana a few seconds back but suddenly the fortunes appear fast receding. He hurriedly came forward and told, ‘As per dharmasastra, there are three ways to become a king- by birth in princely family, by being a warrior, and being a commander of army[vii] . He added, ‘If Arjuna is not willing to fight on this ground, I am right now coronate Karna as the king of Anga desa[viii] (present day Bihar in India). Then and there he consulted the king Dhrutarashtra and Bhishma and coroneted Karna as the king.

Analysis of the Story

Five points are to be taken note in analysing this story before drawing any conclusions regarding demeaning of caste of Karna as popularly portrayed in films and some other media.

First, the agenda of the meeting of elders is to witness the art of warfare of princes and that’s it. It is not meant for witnessing the skills from anyone from the public or any disciple other than the prince-disciples of Drona. Karna, who was unconnected to the events entered the field with the permission of gate keepers who were awestruck (vismayothphulla lochanaihi) perhaps by the aura in his face. In Maha Bharata, Veda Vyasa clearly mentioned about this fact. While sons of Dhrutarashtra and the sons of Pandu Maharaj were displaying their war skills, he entered and immediately challenged Arjuna.

Second, when the agenda was getting deviated, it is clearly the failure of leadership on the part of Drona to allow Karna to perform archery feats. The other elders also kept mum and silent.

Third, Karna created a surcharged atmosphere by proclaiming that he would cut off Arjuna’s head in the presence of his Guru (गुरो: सम्मुखम्) which showed his audacity to challenge elders and  the entire court. The very dignity of the king and his throne are disregarded. At this stage, Krupa intervened and proclaimed that a prince can fight with a person of equal stature in caste, etiquette, and power. There was no evidence of anybody including Krupa knowing the caste of Karna beforehand; and the provocation was not meant to demean his caste. It may be a genuine enquiry to know the lineage of the person who is challenging a Kshatriya prince. Further they wanted to know whether Karna was worth enough to wage a war with Arjuna. Karna did not tell his lineage in the podium and just kept quiet.

Fourth, Duryodhana announced that he was going to coronate Karna if Arjuna was not willing to fight anyone other than a prince. What is the authority he had to announce bequeathing a kingdom? When Dhrutarashtra and Pandu Maharaj were children, Bhishma was ruling the kingdom of Hastinapura as a de facto king. Once they grew up, Dhrutarashtra was officially announced as king, and since he was blind, Pandu Maharaj ruled as a de facto king and expanded the horizons of the kingdom. By the time this episode of exhibition of skills of the princes was announced, Pandu Maharaj had died and Dhrutarashtra was the titular head of the State. Since Dharmaraja was elder to all princes, his claim for Yuvaraj could not be brushed aside either (though he never expressed his intentions to become Yuvraj). With this background, how can Duryodhana announce that he would give the kingdom which he does not possesses to Karna openly and then consult his father and Bhishma to approve his actions?  

Fifth, we need to enquire the role of elders when dharma was at stake. When an unknown person was entering and challenging the authority of a prince, what was the role of elders? By allowing Karna to the stadium, they passively allowed the agenda to be hijacked and they invited troubles and the future war. As elders they should have prevented it.

Duryodhana was not having any warrior matching the might of Arjuna. When the agenda for which the meeting was convened was diverted, it is possible that unsavoury things happen to the people at large. Similarly, when Duryodhana announced kingdom to Karna, why did Bhishma and Dhrutarashtra gave their tacit consent? Karna had already demeaned the dignity of the chair by proclaiming that he would cut off the head of Arjuna. How can the elders approve Duryodhana’s decision in favour of such person?  Narada Smriti clearly states:

 यत्र धर्मो ह्यधर्मेण सत्यं यत्रानृतेन च।
हन्यते प्रेक्षमाणास्तु हतास्तत्र सभासदः॥ (yatra dharmo hyadharmea satya yatrāntena ca hanyate prekamāṇāstu hatāstatra sabhāsada) - Narada Smriti

(Where dharma is destroyed by adharma and truth by false, the people who simply witness it become themselves deprived).  By passively allowing Duryodhana to indulge in adharma, the elders in the court allowed dharma to be destroyed. It boomeranged and the seeds of future war were sown even before they became kings.

A careful study of the story reveals that Karna never revealed his caste lineage and it was known only when his father came to court to embrace him. When Krupa sought the details of lineage, it was not to insult a person on caste grounds but to control the surcharged atmosphere and to control the haughty temperament of Karna. Again, the morality of the age (Five thousand years back) was that princes fight with princes and Krupa wanted to ascertain whether Karna was worthy enough to challenge Arjuna. We can recollect two incidents of this nature. When Dharmaraja asked Duryodhana to choose any one of the five brothers to fight, he chooses Bhima only as was a worthy warrior to fight. Similarly, when Krishna asks Jarasandha to opt either Bhima or himself (Krishna) for a wresting, Jarasandha opts Bhima only. In those days, marriages were between equals and wrestling was among equals only. Portraying stories with modern sociological perspectives may not justify the true interpretation of the stories.

Finally, we should recall the story of Duryodhana Ghosha yatra (episode 3) where Duryodhana was defeated by a Gandharva and was being dragged away to his place. Dharmaraja ordered Bhima and Arjuna to fight with Gandharva and rescue Duryodhana. When Bhima refused, he famously quotes:

“When we face risk from some outsider, we are not five but one hundred five (Hundred Kauravas plus five Pandavas). When a fight happens amongst us they are hundred and we are five”.

That was the dharma of Dhrmaraja. But an outsider (Karna) wanted to cut off the head of Arjuna, Duryodhana rewarded him with kingdom. That was the dharma adopted by Duryodhana. Maha Bharata, was thus a conflict between dharma and adharma with various overtones.

Points to ponder

1.    Can elders afford to sit spectators when dharma is dethroned by unrighteous persons? What would be the repercussions?
2.   Can you, as a family member, reward an intruder scolding your own family member?
3.   In modern age, can the authorities allow the agenda of board meetings to be hijacked by someone? What would be the repercussions?
4.   How Dharmaraja is different from Duryodhana in adopting dharma?
5.   Specify the moral that you derive out of the story?
6.   What are the management lessons from this story?


Footnotes



[i] This story is taken from Adi Parva of Maha Bharata written by Ved Vyasa

[ii] Sastras & astras – Astra (अस्त्र) is a weapon hurled at the enemy with intonation of a mantra. Each astra has a presiding deity. Sastra(शस्त्र), on the other hand is weapon handled by the warrior- like mace, sword, dagger etc.

[iii] Sūta caste- A person born to a Kshatriya man and a Brahmin lady. Sūtas are bards and chariot making caste of people.

[iv] दत्तेस्वकाशे पुरुषै: विस्मयोध्फुल्ल लोचनै:
विवेश रङ्गं विस्तीर्णं कर्ण: परपुरञ्जय: ||- Adi Parva, 135.1
dattesvakāśe puruai: vismayodhphulla locanai:
viveśa raga vistīra kara: parapurañjaya: - Adi Parva, 135.1.

[v] प्रणामं द्रोणकृपयो: नात्यादृत मिवा करोत्  (praṇāma droakpayo: nātyādta mivā karot)- Adi Parva 135.6.

[vi] ततो विदित्वा पार्थस्त्वां प्रतियोत्स्यति वा वा |
वृथाकुलसमाचारैर्न युध्यन्ते नृपात्मजा: ||-  Adi parva 135. 33
tato viditvā pārthastvāṃ pratiyotsyati vā na vā |
vthākulasamācārairna yudhyante npātmajā: ||- Adi parva 135. 33.

[vii] आचार्य त्रिविधा योनिः राज्ञां शास्त्र विनिश्चये |
सत्कुलीनश्च शूरश्च यश्च सेनां प्रकर्षति || - Adi parva135.35
ācārya trividhā yoni rājñā śāstra viniścaye |
satkulīnaśca śūraśca yaśca senā prakarati || - Adi parva135.35.

[viii] सत्कुलीनश्च शूरश्च यश्च सेनां प्रकर्षति ||
तस्मादेषोsङ्ग विषये मया राज्येsभिषिच्यते | - Adi Parva 135.36.
satkulīnaśca śūraśca yaśca senāṃ prakarati ||
tasmādeosga viaye mayā rājyesbhiicyate |) - Adi Parva 135.36.

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