Thursday 29 August 2019


Episode 30
Mandapala’s Love with Jarita and Lapita
– the survival four Saranga birds[i]

Last week we saw how Khandava forest was scorched to ashes in a great fire. In the episode we also studied that four Saranga birds (some type of birds) survived the destruction. The current story is the story of the survival of four birds from the holocaust. The story has lot of symbolic significance and sage Vyasa used the text as a pretext to explain the ‘the theory of Creation’ as per our sruti literature. The story also talks as to how the eternal principles enshrined in Vedas are indestructible. Let us read the story.

The Story

There lived a Maharshi by name Mandapala in a forest. He led a life of celibacy and austerity. He was not allowed into higher worlds since he was not having progeny (पुं नाम्नो नरकात् पुत्रः त्रायते पितरं श्रुतिः[ii]). Mandapala came back from heavens to the forest. Birds breed fast and hence Mandapala, upon assuming the form of a bird, mates with a Saranga bird, Jarita and got blessed with four children. When they are still in egg stage, Mandapala developed acquaintance with Lapita, one more beautiful bird and started roaming with it.

With brimming motherly affection, Jarita could not leave her children and started rearing up the cute little pets in Khandava forest. She was unhappy for her husband left her in the lurch and was roaming with a rival bird.

One day Mandapala saw the fire god approaching the forest with the support of Nara and Narayana. Alas! His small kids were unable to fly. How could he help her children? He prayed to fire god profusely and sought a boon for the safety of his four children when the forest was put to fire. The god Agni was pleased with the prayers and promised to protect the pets from being scorched to ashes.

Jarita and her children were unaware of the promise of Agni to Mandapala. They got frightened on seeing the fire approaching so fast and so fearful. She recollected Mandapala telling about the four children – the elder child is responsible for preserving family lineage, the second one for pleasing the pitr devas (fore-fathers), the third one is responsible for doing penance and the fourth child is the torch bearer of brahmajnana. Whom should she protect? All were important in their own way? She advised her children to hide in the rat hole nearby.

The children did not agree with the suggestion of their mother. ‘You please protect yourself. By remaining here, you are inviting danger to your life. Anyway, we are destined to die in the scorching fire. You can fly with wings. We can’t go into rat hole. It is a sin to die by the bite of rats. It is glory if we die in fire. We are more worried as to how we can save our father in the higher world’, they told. What could Jarita do? It saw an eagle eating away the rats in the hole. ‘I saw an eagle eating the rats. Please go inside and save your skin’, it suggested.

Hi! Mother, ‘do not worry about our safety. If you live you can have children. Please leave this place by dropping down your love and affection towards us’, Unable to convince her children, Jarita flew to a safer destination.

In a matter of few minutes, the birds could see the fast approaching fire. All birds did not lose their heart. In fact, they were little Rishis born to Mandapalaka, a Maharshi. They started praying and praising the fire god Agni. They prayed and sought the protection. Agni recollected his promise to Mandapala and was also pleased by the prayers of little Risheis. He blessed them and did not gulp them in his gushes of fire. Instead, he asked what he could do to them. The birds requested, ‘here we have a few cats who always disturb us. You please devour all those cats’. Agni did the same and the birds untouched.

There Mandapala’s thoughts were occupied with the worry of his children safety. ‘What if the fire god forgotten the promise? What if the wind god pushed him towards the children?’ He started weeping with thoughts revolving around his children and wife. Lapita got angry. ‘The fire god promised protecting your children. He will not disown his pledge. Still you are worrying here. You love my rival Jarita and her children. You go to your lover and leave me to my fate. I also wander regretting for following a worst person’.

‘What you think is not wise. I am thinking about the safety of my progeny. No foolish person on earth will the leave the existing children anticipating the yet to be born future children’, saying thus Mandapala left towards Khandava forest. By this time the fires had subsided and Jaritha was back to her children. Mandapala reached the spot and found his wife caressing her cute children. Nobody spoke to Mandapala. Mandapala’s face paled before the enigmatic silence pervading the place. Ultimately Jarita broke out, ‘You did not anyone of us when we were in distress. Go to your lover Lapita’.

‘What a jealousy! No lady is spoiled in higher worlds with any sin other than the sin of jealousy and relation with other men. Even Arundhati, the legendary chaste wife of Vasishta felt jealous of her husband’s co-wife and lost her aura and glory’, Mandapala lamented. Then he recollected how he had prayed to Agni for the safety of children. He told his children, ‘My dear kids! I did not come to rescue you since you are all little Rishis and already know the Brahma- tatva. I also know the righteous nature of your mother. Dharma protects who protect dharma’.

The sons were pleased by the words of Mandapala and approached him with all love and affection. Later on, Mandapala left the place to an unknown destination.

A short analysis of the story

Maha Bharata and Ramayana are written down by sage Vyasa and Valmiki to convey the teachings of Vedas. The text is only a pretext to convey noble thoughts. The story of Mandapala, on the face of it, is a simple story. But it describes the origin of the universe, the indestructibility of Vedas etc in an indirect form.

The highlight of the story is the prayers to the fire god by the four small birds. These prayers are described in many verses by Ved Vyasa. When Agni started approaching the eldest kid says,
आत्मासि वायोर्ज्वलन शरीर मसि वीरुधाम् I
योनिरापश्च ते शुक्रं योनिस्त्वमसि चांभस: I I [iii]
 (Means- O! Agni, you are very soul of Lord Vayu, you are the body to the twigs, your very sperm is the fountain for water, and you are the cause for the origin of earth’). The prayer sloka eulogizes the fire as the cause for wind and earth. Look at the verse of Taitiriya Upanishad describing the origin of life on earth-

तस्माद्वा एतस्मादात्मन आकाशः संभूतः। आकाशाद्वायुः। वायोरग्निः। अग्नेरापः। अद्भ्यः पृथिवी। पृथिव्या ओषधयः। ओषधीभ्योऽन्नम्। अन्नात्पुरुषः।[iv] (Taitiriya Upanishad 1.1). The prayers of the little rishis (sons of Mandapala) echo the vedantic perspective of the origin of the universe-  that Vayu emerged out of Akasa, Agni out of Vayu, from Agni emerged water, from water the earth emerged, from the earth all medicinal plants and flora, from them the food and from the food emerged the human being’. All other verses relating to prayers to Agni are pregnant with vedantic thought. It is but natural that the fire god was pleased. Ved Vyasa introduced the concept of the theory of Creation to the common readers through a story. The story is thus a pretext.

Other way of understanding the story may be that Khandava dahana represents Pralaya (dissolution of the Universe) and the four little rishi birds represent four Vedas which remain as eternal truths. The dissolution of the Universe is the beginning of one more Creation but Vedas, representing eternal Truths remain indestructible entities.
Veda Vyasa hints at the Brahma Jnana possessed by the rishi birds when they suggested their mother that –
चोपकृतमस्माभि: चास्मान् वेत्तये वयम्
पीड्यमाना बिभर्ष्यस्मिन् कासती के वयं तव ।।[v]
- It means- we have not done any good to you. You do not who we were before our birth. Why should you trouble yourself to protect us? How we relate to you and how you are related to us? These words represent the futility of developing attachments and fall under the domain of Vedanta.

In this story we come across how an intelligent person can weave out an opportunity out of adversity. When Agni is pleased, the little bird prayed to destroy the cats and thus freed from further worries. Is it not a great management strategy?
The story is also interesting in the sense that a few scholars have modified the content of this story and molded it as a romantic love story of Mandapala with Jarita and Lapita.

Points to ponder
  1. What is the theory of Creation as per Hindu philosophy?
  2. What are the management lessons from this story?

Footnotes


[i] This story is taken from Adi Parva of Maha Bharata written by sage Vyasa.

[ii] pu nāmno narakāt putra trāyate pitara śruti - Adi Parva 228.14.

[iii] ātmāsi vāyorjvalana śarīra masi vīrudhām I
yonirāpaśca te śukra yonistvamasi cābhasa: - Adi Parva 231.7

[iv] tasmādvā etasmādātmana ākāśa sabhūta ākāśādvāyu vāyoragni agnerāpa adbhya pthivī pthivyā oadhaya oadhībhyo'nnam annātpurua(Taitiriya Upanishad)

[v] na copaktamasmābhi: na cāsmān vettaye vayam
yamānā bibharyasmin kāsatī ke vaya tava - Adi Parva 230.13

Copy

Friday 23 August 2019


Episode 29

Khāṃḍava Dahanam (Forest on Flames)- Mayāsura / Asvasena[i]

The story of Khāṃḍava dahana is much discussed and debated story from historical perspective. It is all about destroying a forest for constructing a palace and a capital city. What is its strategic significance? Why animals were allowed to be burnt by the peace loving Arjuna and Krishna? How did it herald the prestige of Pandavas? Was the incident signifies the expansion of Aryans into deeper parts of Indian expanse as opined by the foreign historians? Please read and reflect.

The Story

Khāṃḍava forest (Khāṃḍava vana) was a huge expanse of forest in the times of Mahabharata inhabited by serpents, wild animals, beasts and plethora of huge trees and wild bushes. Currently this area is in the Sonipat district of Haryana which was in those days referred as Indraprastha and was protected by Lord Indra.

This legendary forest was put to flames for fifteen days supported by Arjuna and Krishna, also known as Nara and Narayana challenging the very authority of Indra. Janamejaya, the person who was hearing the story of Maha Bharata wanted to know why his great grand father Arjuna took this drastic decision to destroy the dense forest and Vysampayana started narrating the story.

Once upon a time there lived a king on the planet by name Swetaki who was penchant in propitiating gods through yagnas. The sacrificial fire of yagnas were so perennial that the priests got vexed, could not bear the smoke, and started deserting the king. The king’s thoughts were on yagnas and on charity alone. He begged the priests to stay with him but in vain. Someone suggested that he should pray for Lord Siva who alone could help in performing Satra Yaga (a yaga performed for twelve long years day and night). Swetaki sat below a tree and started tapas. Lord Shiva appeared before him and instructed sage Durvasa to help the king in performing the yagna.

The sacrificial Satra yaga of Swetaki involved the continuous pouring of ghee into the fire. Agni, the fire god got fully satisfied but he developed allergy to further in take of oblations from any person from any quarter. His appetite got suppressed and his glory began to wane. Depressed mentally, he approached Lord Brahma to suggest a remedy.

Brahma smiled at the turn of events. When appetite is quenched by the oblations in the form of fats, the remedy was to eat the plants, trees, and flesh of wild variety of animals. Which place was the abode of thousands of animals and medicinal plants? He suggested the fire god to eat away the Khāṃḍava vana with all its flora and fauna. God Agni was happy and descended upon the forest with a deadly effect. But the forest was protected by Lord Indra (the area is Indraprastha). He was protecting it since it was the abode of his friend Takshaka (a deadly serpent). Agni tried to engulf the forest seven to eight times but was quenched by Indra through a heavy pour of water.

This was the situation when Krishna and Arjuna reached the Yamuna river for a happy ride. As suggested by Brahma, the god of fire approached them in the guise of a Brahmin and begged food. Arjuna, being a Kshatriya, could not say no to the request and asked what type of food he could arrange to the Brahmin. Then the Brahmin revealed his identity and sought the help of Nara and Narayana in scorching the Khāṃḍava forest.

The task ahead was not an easy task. It involved fighting with Lord Indra, the king of gods. It was challenging and Nara and Narayana were not inferior to reject the challenge. But can they fight gods without weaponry and armor?  The might of the gods can be mellowed with matching arsenal only. The fire god Agni realized the importance and prayed Lord Varuna. Varuna appeared before them. He possessed a bow named Gandiva (originally built by Lord Brahma) and a quiver with endless number of arrows. It was divine quivers which never get exhausted with arrows. He was pleased to present them to Arjuna. Varuna also gave a divine chariot with divine horses fully equipped with war material. Varura also gave a discus (Sudarsana Chakra) and a powerful mace (Kaumodaki) to Krishna, which upon hurling, kill the enemy and come back for further use.

With all arsenals under their command, Arjuna asked Agni to encircle the forest. Agni assumed his original shape and started encircling the forest from all sides. The fire was so wild, and all animals became panicky and started running helter-skelter. Arjuna started reigning arrows at all animals that tried to run away from the forest. Krishna and Arjuna were swirling all around with the speed of light and none could escape the deadly fire. Birds tried to fly but were torn to pieces by Arjuna with endless array of arrows. The water bodies in the forest began to boil and the aquatic animals perished instantaneously. It was a huge camouflage of smoke that obstructed the view of the skies. 

Lord Indra got wild and came down with all gods to fight with Arjuna and Krishna. He pelted stores, poured water, put all his efforts and finally hurled his bolt (Vajrayudha) but he could do nothing to save the forest from the engulfing fire. Luckily his friend Takshaka was away from Khāṃḍava vana but his family was trapped in the fire. Sarpini, the queen of Takshaka surrounded with all its hood around her son, Asvasena and rose to skies from where Indra pulled him to safety but the fate could not prevent the fall of Sarpini and she fell prey to the arrows Arjuna, much in the presence of Indra.

A heavenly voice (Akasavani) announced, ‘O Lord of the gods! The persons whom you are fighting are not just Arjuna and Krishna, but they are the celestial Nara and Narayana and no one in the universe can control their might’. Realizing the futility of waging a war, Indra left the place. Only six persons survived the holocaust. They are Asvasena, Mayāsura, and four Saranga birds. Who are these survivors?

Asvasena and his importance in Maha Bharata

Aswasena, as we saw above, was a tiny serpent rescued by his mother Sarpini. Arjuna shot at Sarpini but Asvasena escaped in the sky. He nursed the grudge against Arjuna and waiting for an opportunity to kill him. In Karna Parva, we come across a ferocious fighting between Arjuna and Karna. When the fighting was razing, Asvasena, with his yoga maya, entered into the quiver of Karna as an arrow. Karna was not aware of that and inadvertently, he took out the arrow and shot at Arjuna. The arrow was coming with a fearful sound determined to detach the head of Arjuna. Krishna sensed the arrival of Asvasena in the form of an arrow and immediately pressed the chariot into the ground and the horses bent their legs to adjust the height. The arrow, instead of hitting the neck, hit the crown and broke it into pieces.

Asvasena came back to Karna and asked him to aim the arrow again. ‘Who are you? Why have you entered my arrow quiver?’ Karna enquired. Asvasena revealed his identity and asked Karna to aim the arrow again. Karna was not a warrior to depend on the strength of others to defeat Arjuna. He politely refused stating that he believed in his own strength. What to do? Asvasena assumed his real body of a serpent and marched towards Arjuna to bite and kill him. Arjuna asked Krishna wondered who that serpent was! Krishna recollected the incident of Khāṃḍava dahana and hastened Arjuna to cut the serpent into pieces. Arjuna took out a sharp arrow and pierced Asvasena to pieces.

Mayāsura and his importance in Maha Bharata

Khāṃḍava forest was infested with not only wild animals and beasts but by demons and pisachas. Krishna was swirling around the forest like Yama, the god of death and killing all those forces. Mayā was an architect of Danavas (demons) and he was running out of fear to escape the fire in the forest. He saw Krishna with his ferocious discus on one side and the scorching flame on the other side. Literally he was like living in between the devil and the deep sea. The death is dangling over his head like a Damocles’ sword. He rushed towards Arjuna and appealed to protect him. Arjuna was pleased and promised protection. Krishna did not want to kill Mayā since he was given a promise by Arjuna. The god of fire also left him to live.

Once the entire destruction of Khāṃḍava vana was completed, Mayā approached Krishna and Arjuna with all humility and he wanted to do some favor to Pandavas. Krishna asked Mayā to construct a beautiful building for the court of Dharmaraja. There should not be any court on earth that can compete with Maya Sabha in grandeur and majesty. Mayā took up the challenge and built a court cum palace that was at once a romance on stone and magnificent with majesty.

Maya sabha occupies an important place in Maha Bharata when it attracted the attention of Duryodhana while he was its guest. Duryodhana saw the wealth of Pandavas for the first time in Maya sabha and his jealousy turned into anger which ultimately precipitated the great war of Kurukshetra.

Mayā gave a mighty mace that equals the strength of thousands of maces to Bhima. He also gave a conch, Devadatta belonging to Varuna to Arjuna. Maya sabha heralded the glory of Pandavas which eventually triggered for the performance of Rajasuya yaga by Dharmaraja.

Four Saranga birds that survived the holocaust

Four Saranga birds did not die in the scorching fire when Khāṃḍava was set to blaze. The story will be discussed in the next week.

Analysis of the story

Khāṃḍava dahana was a gruesome event of gory deaths and destruction of flora and fauna. All birds, wild animals, beasts, trees, and demons got destroyed. Why was this holocaust? Why did Krishna and Arjuna helped the fire god in destroying the forest? Basically, it was ordained by Brahma that the forest would become the food for the fire god. The fire god lost his appetite and could not take any oblations from any quarter and curing his disease was the priority in the interest of the society at large. All yagas and yagnas in the world were coming to a halt and there were no charities in the absence of sacrificial rituals. Brahma thought of rejyvinating Agni and suggested to scorch the forest. Krishna and Arjuna supported the dharmic cause. They knew that the Khāṃḍava was the abode of many medicinal plants and they alone can cure his disease.

In the description of Khāṃḍava, Veda Vyasa mentioned many times that it was infested by cruel snakes, wild animals and demonic forces which Krishna wanted to destroy. Some critics say why Krishna and Arjuna helped in killing animals? But what we should understand is where to let them go? When fire scorches the forest and if animals are allowed to run, they will certainly enter into Indraprastha village where the people were living. Krishna and Arjuna cannot afford to expose their own citizens to vagaries of wild animals.

In the Sri Venkateswara Oriental journal, 1959, one professor cum researcher, Mr M.Rama Rao opines that the destruction of Khāṃḍava forest was basically to construct a palace for Pandavas. Since a capital or palace cannot be built without destroying a forest, Krishna and Arjuna resolved to accomplish the task.

Some historians, particularly Vincent Smith, opine that the story of Khāṃḍava dahana pertains to later Maha Bharata period when Aryans wanted to expand their area of influence in Naga areas; and it was basically an Aryan expansion into interior Indian lands. Since ‘Aryan invasion theory’ is refuted by the present historians, the arguments of these scholars are not tenable and further there is no convincing proof that the story belongs to later Maha Bharata period.

The Khāṃḍava dahana was also viewed by some scholars as a ploy of Sri Krishna to herald the glory of Pandavas to the world and it was strategically a necessity for the imminent Rajasuya yaga conducted by Dharmaraja. The incident resulted in equipping Pandavas with new weaponry in the form of a divine chariot, divine conch, a divine bow (Gandiva) and a mighty mace.  It established the supremacy of Pandavas and their ability to defeat even the gods.

Lavanya Vemsani is a scholar and professor of History specializing in Indian History and Religions, in the department of Social Sciences at Shawnee State University, Portsmouth, Ohio. She researches and publishes on subjects of ancient Indian history and religions as well as current history of India. In her book she opines that the destruction of Khāṃḍava was the foundation of the beginning of the independent Pandava state. When Pandavas staked their claim to a share of the Kuru empire, and the Kauravas gave a patch of wild area of forest near Indraprastha, Krishna helped Arjuna to in clearing the forest by burning it down’.

Points to ponder

  1. What is the version of western historian about Aryan Invasion Theory? How have the modern historians refuted this theory?
  2. What was the motto of inventing ‘Aryans’ as the original inhabitants of Europe who later on invaded India? Was it a ploy to denigrate Indian race?
  3. How can you justify the actions of Arjuna and Krishna in the episode of Khāṃḍava dahana?
Footnotes


[i] This story is taken from Adi Parva and Sabha Parva of Maha Bharata written by sage Veda Vyasa.

Other references

  1. Lavanya Vemsani, 2016, ‘Krishna in History, Thought, and Culture: An Encyclopedia of the Hindu Lord of Many names’, page 16.
  2. Ramrao, M. (1959). Krishna, the Statesman. Sri Venkateswara Oriental Journal, 2. Retrieved from http://www.archive.org/stream/svuorientaljourn015501mbp/svuorientaljourn015501mbp_djvu.txt


Copy

Friday 16 August 2019


Episode 28

Escapades of Arjuna with Ulupi, Chitrangada and Subhadra[i]

This is a simple story of Arjuna spending a night with Ulupi and marrying Chitranganda and Subhadra during his vanavasa period. The story discusses the primary role of a king, and his obligations towards his people. The story discusses the nuances of Grihasta dharma and the normal etiquette that brothers should follow vis-à-vis ladies in the same house. Abduction of girl for marriage, the issues of kanya sulka etc are also discussed from sociological perspective. For details read the story below.

The Story

We have seen in our earlier episode Draupadi’s marriage with five Pandavas. We have also read that sage Narada came down to Pandavas and upon his advice they had come to an understanding that Draupadi would stay with each brother for a year and others should not disturb their privacy. If anyone disturbs the privacy, he should go for exile for twelve years[ii].

When things were going on a good stead, there occurred an incident of theft of a Brahmin’s cow in the capital city of Indraprastha. The Brahmin came running and reported the matter to Arjuna. As a true Kshatriya, Arjuna assured support and rushed to royal arsenal where the weapons of all Pandavas are kept. He was about to enter and observed his elder brother Dharmaraja in privacy with Draupadi. There was a great ethical dilemma that gripped Arjuna. If he enters the place, he would be violating the code of conduct among brothers. If he refrains from entering the place, he cannot have his weapons to chase and punish the thief. He would be either committing a sin of commission by disturbing the privacy or sin of omission by not punishing the thief.

A king takes one sixth of his subjects’ income and if he does not protect the same subjects (people), the latter will call him a sinner[iii]. A kshatriya’s basic duty is to protect his people. By violating the code of conduct, he may invite the punishment of exile for twelve years. Arjuna decided to enter the chamber. He took his weapons and chased the thieves and punished them. Arjuna reached his brother Yudhishtira (Dharmaraja) and volunteered to go on exile for twelve years.

Dharmaraja was shocked to hear the words of his beloved brother. After all he had done his duty befitting a Kshatriya and protected the people. ‘Oh, Arjuna! You have done what I expect you to do in the given situation. In fact, I am happy. When elder brother is in privacy with his wife, the younger brother can enter, and it is in tune with dharma. But if the younger brother is in privacy with his wife, the elder brother’s entry is not permitted as per dharma’[iv], Dharmaraja told in a consoling tone. 

But Arjuna did not want to deviate the path of Truth and insisted that he would leave for forests. Yudhishtira relented and Arjuna left for forests.
Arjuna’s journey started with visiting beautiful river coasts, seashores, pilgrimage centers, thick forests, mountain peaks and what not. Ultimately, he reached the popular pilgrimage point Haridwar and wanted to take bath in the celestial waters. There a serpent princess, Ulupi suddenly spotted Arjuna and instantaneously fell in love with him. With her magical powers, she sucked Arjuna into the river and later reached her palace in Patala loka (पाताळ). Arjuna saw fire in the palace and immediately sat straight and performed the oblations to the Fire (Agni Karya). Then he turned towards Ulupi and with a gentle smile on his lips asked, ‘Who are you? Why did you do this adventure?’

Ulupi with blushes on her cheeks laid herself before Arjuna and asked him to bless her that night. She was the daughter of Kauravya, the king of Iravata desa inhabited by Nagas. Arjuna thought for a moment and told, ‘Oh Kalyani! I have on Vanavasa (staying in forests) and observing Brahmacharya (celibacy). You are asking me to be with you for the night. Your wish and my oath cannot go together. Suggest me a way that justifies dharma’.

‘O Lord! I know the code of conduct that you brothers have imposed upon yourselves. I can tell you one thing. By being with me you are saving my life. What great charity is there in the world that equals the charity of giving life?[v] Please do good to me and enliven your greatness’, Ulupi pleaded. Arjuna spent the blissful night with Ulupi and on the following day Ulupi left him on the shores of the Ganges and left to her place. In due course of time she got a son, Iravanta.

Arjuna told about Ulupi to a few of his associates and moved towards Manipuri. There he happened to see a very beautiful lady, Chitrangada. She was the only daughter of Chitravahana, the king of Manipuri. He approached the king, revealed his identity and informed his intention to marry her. The king had no problem, but he put forth a condition. He wanted the son of Chitraganda to remain in Manipuri and the king would treat him as his own son. Giving out his son to the king would be the ‘kanya sulka’ (कन्या शुल्क). Arjuna agreed and married Chitrangada. He stayed in Manipuri for three years and got blessed with a child, Babruvahana. Once the son is born, Arjuna put his son into the hands of the king as part of his promise and got relieved from the debt.

He bid goodbye to everybody and proceeded towards Prabhasa Teertha. Sri Krishna heard about the arrival of Arjuna and immediately reached there. Krishna enquired as to why he was doing tirtha yatra (pilgrimage) and on hearing from Arjuna, he felt happy. They roamed the surroundings of Prabhasa tirtha on the whole day and reached the peak of Raivataka mountain by night. Arjuna was narrating the whole of his life events and the places he had seen in his entourage. On the following day, they reached Dwaraka in a golden chariot amidst rousing reception by the citizens of Dwaraka. Arjuna spent a few days happily in the court of Sri Krishna.

While things were going on like this, there occurred a mountain festival for all Yadavas, Vrishti and Andhaka people. People started coming in hordes towards the mountain Raivataka with all festivities. The kings, the ministers, the army chiefs, the poets, the singers, the dancers and all-important wing commanders set out towards Raivataka with their queens and family members. In the company of Sri Krishna, Arjuna mingled in the crowd and enthusiastically participated in all events.

There Krishna and Arjuna spotted a young beautiful lady sizzling among a bevy of beauties. She was none other than Subhadra, the beloved sister of Balarama and Krishna. Arjuna became the slave of his Indriyas and his discriminating intellect fell flat before the divine beauty. Sri Krishna could easily spot Arjuna’s eccentricities and smilingly told, ‘Hi, Arjuna! You are on the mode of vanavasa and how can your intellect wavers on seeing beautiful girl? She is my sister, Subhadra and if you are interested in marrying her, I shall bless you and convey to my father’.

Arjuna’s joy knew no bounds. The beautiful girl with whom his mind got entangled was none other than the sister of Krishna and the daughter of Vasudeva. He asked Krishna to suggest a strategy to take her hand in marriage. Krishna told,
स्वयंवरं क्षत्रियाणां विवाहः पुरर्षभ!
स च संशयितः पार्थ! स्वभावस्यानिमित्ततः।। - (Adi Parva 218-21)
svayavara katriyāṇāṃ vivāha purarabha!
sa ca saṃśayita pārtha! svabhāvasyānimittata।।
meaning - ‘For Kshatriyas marriage by Svayamvaram is the rightful path. But the mind of a lady is wavering (there is no certainty that she may marry you in svayamvara. A lady falls to a handsome man without trying to know his background – Nilakanta Vyakhya).

For a valorous warrior, possessing the girl by force is permitted. So, I advise you to abduct her by force. We are not sure whom she would select in svayamvara’[vi].

Arjuna agreed to the counsel of Sri Krishna. Then then a sent a word to Dharmaraja for his consent. Dharmaraja and Bhima were quite happy at the turn of events and instantaneously consented.

A few days went by and on one day Subhadra, accompanied by her friends went to Raivataka to pay tributes to the mountain god. On the advice of Krishna, Arjuna set out in the chariot of Krishna to Raivataka on the pretext of hunting. On spotting Subhadra coming out from prayers, he picked the smiling Subhadra by force and started towards Indraprasta. The soldiers got frightened and came running to Dwaraka and reported the abduction to the king Balarama. There was a clamor in the court to teach a lesson to the abductor. But Balarama, though very angry, wanted to know the mind of Krishna before using force.

Krishna started telling:
“Arjuna has never insulted our Yadava race and during his entire stay, he respected us. He cannot give kanya sulka and take Subhadra since we have plenty of money and we don’t require kanya sulka. To gain her in svayamvaram would have been an option but he does not want to take a chance since no one knows with whom Subhadra marries in Svayamvara. If he takes Subhadra by way of gift, he may be looked down by society. So, he acted as per the dharma befitting a kshatriya.  Further what is lacking in Arjuna? He is a great warrior and only lord Shankara alone can defeat him in a battlefield. If we send forces and he win, our prestige would be at stake. Let us invite him and perform the marriage’.

Everyone in the court agreed and Arjuna was brought back to Dwaraka for a glorious marriage. Abhimanyu was the son born to Arjuna and Subhadra.

A short analysis of the story

Veda Vyasa has given elaborate description of the geographical itinerary of Arjuna during his vanavasa which exactly matches the current geographical map of India. Like Sri Rama’s long march from Ayodhya  to Sri Lanka where each and every next spot of his visit is exactly matching with the geographical map, thus indicating the knowledge of overall India’s areas, the vanavasa of Arjuna is also full of places, mountains, rivers, mountain peaks exactly dotting the map of current day India in sequence.
Coming to the story, it is a romantic story taken by many writers in the later ages. The theme formed the basis of many film scripts across all regional languages. Amidst the romantic escapades, Veda Vyasa never failed to mention nuances of dharma in one way or other way. What is the primary duty of a king? Undoubtedly protecting the people is the very purpose of the king who takes one sixth of the people’s income. Yajnavalkya Smriti elaborates the duties of kshatriyas and vysyas as follows:
प्रधानं क्षत्रिये कर्म प्रजानां परिपालनम्।
कुसीद कृषि वाणिज्य पाशुपाल्यं विश: स्मृतम् ।। - (Yajnavalkya Smruthi 1.119)-
pradhāna katriye karma prajānā paripālanam
kusīda kṛṣi vāijya pāśupālya viśa: smtam ।। - meaning a Kshatriya’s main duty is protecting people; and doing business, rearing cattle and agriculture are the domain of vysyas.

The king is sinner when he fails in his primary duty. Code of conduct among brothers is an internal matter which cannot take primacy in the ‘must to do’ objectives of a king. This is precisely what Arjuna did.

For every sin there should be punishment. Arjuna had to go on vanavasa to atone his mistake. Dharmaraja justifies that it is not a sin if younger brother disturbs the privacy of elder brother and not the other way around. Scholars say that the logic behind this argument is again based on dharma. In Hindu way of life, elder brother is considered to be a father and his wife is a mother. In Upanayana samskara, the elder brother initiates Gayatri in the ears of his younger brother when father is not alive. Thus, for all practical purposes, the elder brother is father.  Again, in our tradition, we have five ladies to be treated as mothers-
गुरुपत्नी राजपत्नी ज्येष्ठभ्रातुः कुटुम्बिनी।
पत्नीमाता स्वमाताच पञ्चैताः मातरः स्मृताः।।
gurupatnī rājapatnī jyeṣṭhabhrātu kuumbinī
patnīmātā svamātāca pañcaitā mātara sm।।
– the wife of a Guru, the wife of a king, the wife of the eldest brother, the mother of wife and one’s own mother are considered five mothers by our smritis.

In the story, Arjuna’s entry is akin to the entry into parents’ chamber. So, it is dharma. But the eldest brother should not disturb the privacy of his younger brother since his wife’s position vis-à-vis the eldest brother is not discussed prominently anywhere as father-daughter relationship.

Ulupi- Arjuna

Arjuna saw fire in the palace of Ulupi and performed Agni karya and then spoke to Ulupi. The significance of mentioning this aspect by Ved Vyasa is that one should not forget the basic duties (nitya karma and naimittika karmas) in the mire of worldly affairs. In this episode the dilemma is whether to adhere to celibacy in vanavasa or protect the life of a lady. Ulupi was prepared to sacrifice life if her wish was not accomplished. Arjuna choose to save her life and spent a night with her.

Chitrangada- Arjuna

Here Arjuna fell in love with Chitranganda. Why is he not thinking of his oath of celibacy? A few scholars feel that the oath has already been broken to save a life of a lady and so Arjuna sought the hand of Chitrangada. Further Arjuna thought of building allies for the future war of Kuruksetra. But all these are of course conjectures and belong to the domain of scholastic imaginations and interpretations.

Subhadra- Arjuna

Abducting a lady for marriage is morally reprehensible according to current day moral standards but was acceptable for valorous kshatriyas in those days.  Dharma, like laws, is never static and undergoes changes according to the tunes of times. Hindu way of life allows flexibility and any moral that stands to the test of reason, equity, truth, honesty and integrity overwrites the dharma of the previous years and regulates the affairs of society. Hence dharma is subtle and should be interpreted by one who has deep knowledge of our traditions, value systems and the general popular trends prevailing in a society.

In the story, Veda Vyasa writes that Arjuna abducted the smiling Subhadra which indirectly indicates her tacit acceptance of taking up the hand of Arjuna. Krishna only suggested Partha to ponder over the possibility of abduction.

In both Chitrangada and Subhadra episodes, we hear the practice of Kanya Sulka which was in vogue in ancient society. Beautiful girls of great lineage were sought after by men by paying huge gifts and wealth to the brides’ fathers. Whether dowry system was going hand-in-hand along with kanya sulkam or was it dominant over a period of years was the subject matter of discussion for sociologists. Anyway Manu Smruthi categorically denounces the practice of kanya sulka (Manu Smruti 3.51).

Things to unlearn

Majority of the film stories depict Arjuna going to Dwaraka in the guise of a muni and Krishna deputed Subhadra to serve him. This story is not there in the Maha Bharata of Ved Vyasa.

Points to ponder

1.    Who are considered as five types of mothers by Hindu society?
2.   What are the eight different types of marriages described by the smriti literature?
3.   Can the practice of abduction of woman is morally and legally acceptable in the current century?
4.   How is dharma subtle?  Does it change over a period of time? How do you distinguish dharma from sanatana dharma which is eternal?


 Footnotes


[i] This story is taken from Adi Parva of Maha Bharata written by sage Ved Vyasa

[ii] Adi Parva 211.29                                                                                                  

[iii] अरक्षितारं राजानं बलिषड्भागहारिणम्।
तमाहु: सर्व लोकस्य समग्रं पापचारिणम् ।। - Adi Parva, 212. 9
arakitāra rājāna baliabhāgahāriam
tamāhu: sarva lokasya samagra pāpacāriam ।।

[iv] Adi Parva 212.32

[v] Adi Parva 219.29.

[vi] Adi Parva 218- 21,22.


Copy